@the_fox
Die quote die je blijft delen gaat in zijn volledige context over production choices en dus over set en costume design en niet over casting choices.
"explanations for every production choice, from the boats to the weapons, all of which draw on both the Bronze Age and Homer’s era, hundreds of years later. “The oldest depictions of Homeric characters tend to be depicted in the manner of people living in Homer’s time,” he says. “So there’s a pretty strong case there for portraying things that way because that’s the way the first audience received the story.”
Bovendien zegt hij zelfs daarover slechts dat je er een sterkte case voor kan maken wat dus niet wil zeggen dat er geen ruimte is om daar van af te wijken.
In datzelfde interview dat je daar deelde zegt hij over personages het volgende; "He has also studied the text and made several striking adaptation choices. Argos, Odysseus’ loyal dog, has been promoted from a cameo to a bit player. Odysseus and his son Telemachus (Tom Holland)—burdened by the legend of a father he doesn’t remember—are given more time together. Circe, an archetype in Homer’s version, gets a humanizing update thanks to Samantha Morton’s unsettling yet sympathetic performance. And the reunion between Odysseus’ fellow king Menelaus (Jon Bernthal) and his wife Helen (Lupita Nyong’o)—the most beautiful woman in the world, blamed for starting the war after a Trojan prince spirited her away—has always felt too neatly resolved in the poem. Nolan complicates it. And in a twist, Nyong’o also plays Helen’s sister, Clytemnestra, whose marriage to Menelaus’ brother Agamemnon (Benny Safdie) is, to put it mildly, acrimonious."
Hij geeft er vrij duidelijk een eigen twist aan dus dan kan je moeilijk hard maken dat hij verkeerde verwachtingen schept.
Die quote die je blijft delen gaat in zijn volledige context over production choices en dus over set en costume design en niet over casting choices.
"explanations for every production choice, from the boats to the weapons, all of which draw on both the Bronze Age and Homer’s era, hundreds of years later. “The oldest depictions of Homeric characters tend to be depicted in the manner of people living in Homer’s time,” he says. “So there’s a pretty strong case there for portraying things that way because that’s the way the first audience received the story.”
Bovendien zegt hij zelfs daarover slechts dat je er een sterkte case voor kan maken wat dus niet wil zeggen dat er geen ruimte is om daar van af te wijken.
In datzelfde interview dat je daar deelde zegt hij over personages het volgende; "He has also studied the text and made several striking adaptation choices. Argos, Odysseus’ loyal dog, has been promoted from a cameo to a bit player. Odysseus and his son Telemachus (Tom Holland)—burdened by the legend of a father he doesn’t remember—are given more time together. Circe, an archetype in Homer’s version, gets a humanizing update thanks to Samantha Morton’s unsettling yet sympathetic performance. And the reunion between Odysseus’ fellow king Menelaus (Jon Bernthal) and his wife Helen (Lupita Nyong’o)—the most beautiful woman in the world, blamed for starting the war after a Trojan prince spirited her away—has always felt too neatly resolved in the poem. Nolan complicates it. And in a twist, Nyong’o also plays Helen’s sister, Clytemnestra, whose marriage to Menelaus’ brother Agamemnon (Benny Safdie) is, to put it mildly, acrimonious."
Hij geeft er vrij duidelijk een eigen twist aan dus dan kan je moeilijk hard maken dat hij verkeerde verwachtingen schept.
